Online Oil Painting Classes

Online Oil Painting Classes – Hito Steyerl, How Not to be Seen: A Fucking Didactic .MOV File, 2013. By the artist.

Teaching art has a history, from the Fluxus artists of the 1950s and 60s to Hans Ulrich Obrist’s “Do It!” exhibitions, based on the written instructions of the artists. Anti-elitist at its core, he believes that didactic arts should be accessible, open to interpretation, playful and enjoyable.

Online Oil Painting Classes

Today, distance learning has become the new norm: we’re using video for everything from attending college classes, learning new languages, or learning how to demonstrate growth. Art education, under fire for its exorbitant price tags, has also moved online (leading some MFA students to ask for tuition refunds). But you certainly don’t have to be in a degree program to get an art education. And you can learn art directly from the artists, as these nine videos show.

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Bob Ross’ Joy of Painting is a series that aired on American public television in the 1980s and 1990s. Currently, we can access all 403 episodes on YouTube. Ross teaches everything from how to lay down a canvas, the “wet on wet” method (also called) of oil painting.

In each half-hour episode, Ross guides viewers through the process of creating tranquil scenes filled with almighty mountains, soft clouds, and cheerful little trees. It speaks ASMR in the softest of tones and carries an iconic, fuzzy permanence. His approach to nature is as charming as his language. The trees are friends, and the episodes often feature animal companions, such as Peapod the baby squirrel or Hoot the owlet. At a time when many of us feel a pervasive sense of anxiety, what could be more relaxing than turning to Bob Ross and maybe picking up a paintbrush? After all, there are no mistakes, just “happy little accidents.”

, which premiered at the 2012 Gwangju Biennale. Many of the artist’s works combine pedagogy with absurd humor; he might lecture stones about the finer details of Korean poetry, or teach a ship that the sea doesn’t exist.

, the narrator speaks Korean, teach you how to paint intense emotions, and as the title suggests, maybe even work through the frustrations of racial microaggressions. It demonstrates a painting technique where we incorporate a screeching sound into the brush strokes. Basically, this means screaming while painting, with different timbres, markings and shades of yellow to express different emotions. A long scream indicates pain; Short little barks of surprise mean bright pain; the dijon-like nuance is filled with regret; gray-yellow represents anger; and others express unbearable confusion, indignation, and even joy.

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, which teaches viewers how to act like a successful artist in a “fake it ’til you make it” kind of way. In it, the artist is seen inside a studio, dressed in a painter’s coat and wearing a blonde wig and various prosthetics, including a fake nose, large floppy ears and large Mickey Mouse hands. The video parodies some well-known figures in the art world, all of whom wear bulbous noses: the artist visits the gallery to ask for the money owed to him and is later evaluated by a group of collectors. But the main target of his satire is the “great male artist”: At one point, McCarthy spins as he calls out to Willem de Kooning; in another, he refers to Vincent van Gogh theatrically cutting off a finger with a meat cleaver.

, the artist sends up traditional gender roles and the Betty Crocker archetype of a cheerful, apron-clad housewife. The 1975 video takes the form of the cooking demonstrations made popular by Julia Child in the 1960s. Rosler is filmed standing in a kitchen, showing how various tools work in alphabetical order. More than that, it is a lesson in confronting patriarchal oppression.

As Rosler explains, “E is for egg beater” and “G is for grater,” but as he moves through the alphabet, his movements become less caring or helpful, and more frantic, boisterous, and even violent. “Knife” comes with pantomime and revenge stabbing; invisible pancakes for the “frying pan” are flipped in a way that could pull out anyone’s trachea; and the “R” is not just for “roll” but also for honest and emotional feminist rage.

In some of the most enduring images of the 2016 protests at Standing Rock against the Dakota Access Pipeline, water protectors hold up mirrored shields. These shields were the work of Cannupa artist Hanska Luger, who was created at Standing Rock

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As part of the Mirror Shield Project. The tutorial went viral on social media and hundreds of shields were made and sent by supporters across the country. They shine in the winter sun, sometimes reflecting riot police, to see themselves and perhaps find some humanity in a movement inspired by protests in Ukraine and elsewhere. It’s the modern day equivalent of sticking a flower in a gun, with the added bonus of helping you avoid facial recognition.

Yvonne Rainer rehearsing a piece in the Judson Memorial Church gymnasium, New York, 1962. Photo by Robert R. McElroy/Getty Images.

As dance history courses move online, pioneering dancer and choreographer Yvonne Rainer created a new work for a class at Yale that addresses social distancing:

. The course instructor, Brian Seibert, recently shared the lesson in an article for the New York Times. The piece is an adaptation of a section of Rainer’s 1963 work

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, which directs performers to stand or walk. In this new piece, the main idea is to maintain a constant walking pace despite the limited space, climbing over the furniture if necessary. It is open and adaptable to being alone or with others, as well as different levels of mobility – there is a sitting option. At a time when many of us are cooped up inside and unable to go to the gym, trying Rainer’s piece offers us a new way to not only exercise, but also avoid creative boredom.

This is a didactic video based on the concept of schizoanalysis by French philosophers Gilles Deleuze and Felix Guattari. Its narrators are fluffy Chow Chow dogs with names like Tubbles and Tara_Reid, representatives of the La Borde clinic in California, a sunny version of the French moniker Guattari worked with for decades. Through some wonderfully weird non sequitur, we learn about the role of dogs in Freudian thought, from the psychoanalyst’s relationship with his dogs and his fascination with canine style to the creation of the theory of the Wolf Man.

It definitely stands out. The video serves as a kind of orientation for anyone who wants to work in Sachs’ studio, detailing the do’s and don’ts of his staff. The rules range from common sense professional courtesies to suggestions like being on time, not cutting corners and following instructions (“work to code,” in studio parlance), keeping a to-do list, and always getting photo proof of deliveries.

Others tend to be a little more idiosyncratic. Number eight is “always be knolling,” a term that means arranging objects as if at parallel or right angles, and which sparked a trend on Instagram. Number nine, on the other hand, is the studio’s equivalent of a swearing-in bucket, eerily titled “Sacrifices to Leatherface.” These charges include $2 for not having a pen and notebook to cross off lists, $10 for forgetting a task because it wasn’t on your list (Sachs clearly really believes in lists), and $20 for creating or leaving a fire hazard. the studio is unlocked. Fines double with each violation.

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The fact that technology permeates every aspect of our lives, especially now that software like Zoom is so widespread, raises serious privacy concerns. Hito Steyerl has the answer in 2013

. In it, a robotic narrator outlines various strategies to become invisible to the cameras. Sometimes the strategies Steyerl illustrates silently in front of a green screen are as simple as hiding, moving out of the camera’s field of view, or pretending you’re not there, like a cat thinking about hiding behind a curtain. His legs make him completely unrecognizable. Others are still more advanced, from the dazzling CV-style camouflage — which uses makeup to confuse facial recognition sensors — to military techniques that avoid aerial photography, with images that melt the real into the virtual. Still others—”being female and over fifty,” “wearing a burka,” or “having spam that gets caught in a filter”—remind the viewer of countless, under-resourced and, ultimately, marginalized populations left behind. . DRAWING Mixed TECHNIQUES NEW MEDIA PROFESSIONAL PRACTICE PRINTS WATERCOLOR SCULPTURE COURSES WITHOUT COURSES ONLINE COURSES

Explore your potential while handling the medium of oil painting. Learn how to stretch canvases, prepare surfaces and clean brushes properly. Knowing the language of painting through different approaches to work from life. Historical examples will be presented. Although not required, the student is encouraged to continue the 16-week semester. Being a structured 16-week course, one exercise leads to another. crosses

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